The Soundtrack To My Life. 10/04/2013.

The Next Day

Record: The Next Day.
Artist: David Bowie.
Year: 2013.
Standout Track…

Mule Variations

Record: Mule Variations.
Artist: Tom Waits.
Year: 1999.
Standout Track… (And the Audio doesn’t kick in until the 50 second mark)…

The Dark Side Of The Moon 1

Record: The Dark Side Of The Moon.
Artist: The Flaming Lips, Stardeath And The White Dwarfs. Featuring Henry Rollins & Peaches.
Year: 2009.
Standout Track…

The Invisible Way

Record: The Invisible Way.
Artist: LOW.
Year: 2013.
Standout Track…

In Concert (CD1)

Record: The Doors In Concert.
Artist: The Doors.
Year: Various (Because it’s a compilation live album).
Standout Track…

The Capitol Recordings (CD1) Louis Prima

Record: The Capitol Recordings. Disc 1 (Of 6).
Artist: Louis Prima, Keely Smith & Sam Butera.
Year: Various.
Standout Track…

The Division Bell

Record: The Division Bell.
Artist: Pink Floyd.
Year: 1994.
Standout Track…

Ladies Of The Canyon

Record: Ladies Of The Canyon.
Artist: Joni Mitchell.
Year: 1970.
Standout Track…

Forever Endeavour (Deluxe Version)

Record: Forever Endeavour.
Artist: Ron Sexsmith.
Year: 2013.
Standout Track…

A Hard Day's Night

Record: A Hard Day’s Night.
Artist: The Beatles.
Year: 1964.
Standout Track…

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* The Soundtrack To My Life.  09/11/2012

The Amazing Wheelharp!

This is a Wheelharp:

The Wheelharp

Despite looking positively Victorian, The Wheelharp is a a new keyboard controlled instrument with 61 strings (a full chromatic scale) which are bowed with actual bows! The Wheelharp also allows for different bowing intensities as well as having fully fitted damper and electric pick-up systems!

So how exactly does it work?

When the player presses any key (or keys) on The Wheelharp, the action moves the selected key (or keys)  respective string(s) toward a rotating wheel with a rosined edge, thereby bowing the string(s).

With the right pedal, the player controls the speed of a motor that turns the wheel, which varies the bowing speed of the wheel against the string and thus changes the dynamic effect. For instance, the wheel speed and the key depth can both be used to create swells and decrescendos. The action for each note can easily be removed as necessary for maintenance or string replacement.

The left pedal controls a full damper system that extends across the strings. An electromagnetic pickup floats above the strings and a piezoelectric pickup is mounted to the soundboard, allowing for the player to fully control the amplified timbre of The Wheelharp.

Here is a demonstration video of The Wheelharp in action:

The Wheelharp has been developed by Antiquity Music and manufacturing is expected to begin in June 2013.

How much will it cost?

Pricing (Linear Model or Radial Model):
* 5-octave range: $11,900
* 4-octave range: $10,900
* 3-octave range: $9,900

It’s already been described as a “Steampunk version of an orchestral sound library” which in other words means that if you want one, you’d better get one before either Tom Waits or The Flaming Lips buy the lot of them up and connect them together and end the entire World!

For much more information on The Wheelharp, including its history and musical demos, please visit the Antiquity Music site which is right HERE.

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* Stop Motion Animation …On A Vinyl Record!
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The Soundtrack To My Life. 07/06/2012.

Here’s what I’ve been filling my ears with over the past few weeks…

“The Flaming Lips And Heady Fwends”. (2012).
Artist: The Flaming Lips & Their Pals.
Why You Should Get It: Over to you Wayne…

“Locked Down”. (2012).
Artist: Dr. John.
Why You Should Get It: Because although he’s usually off of his head on heroin, Dr. John has released the best album I’ve heard this year so far!
Here’s the teaser…

“Two Sides Of Dave Van Ronk” (2002).
Artist: Dave Van Ronk.
Why You Should Get It…

“The Day The Earth Stood Still” (OST). (1951).
Artist: Bernard Herrmann.
Why You Should Get It: Bernard Herrmann does it yet again! This score is well worth tracking down. It’s very unusual in that it’s scored for electric bass, electric violin and…TWO THERMAINS! Why do you need two theramins? One for treble and one for bass of course! Makes perfect sense and it also sounds GORGEOUS…

“Tadpoles” (1969).
Artist: The Bonzo Dog Doo-Dah Band.
Why You Should Get It: Because it’s insane. All of it. It’s just insane music made by an insane band for insane ears…

“Kill Bill: Volume 1” (OST). (2003).
Artist: Various Artists.
Why You Should Get It: Quentin Tarantino has outstandingly good taste in music. Every song in every single one of his movies is a stunner. From the “Kill Bill” soundtrack I’d say that this is my favourite:

“Kill Bill: Volume 2” (OST). (2004).
Artist: Various Artists.
Why You Should Get It…

“Preliminaires” (2009).
Artist: Iggy Pop.
Why You Should Get It: The strangest Iggy Pop album to date, “Preliminaires” even includes Iggy singing in French! Definitely worth a listen or two…

“Moondance” (1970).
Artist: Van Morrison.
Why You Should Get It…

“Early Takes: Volume 1” (2012).
Artist: George Harrison.
Why You Should Get It: An outtake and demo collection, it’s mainly just Harrison and an acoustic guitar or two and it mostly sounds like he’s sitting right beside you…

Here are some of the albums I listened to recently which, for one reason or many, just didn’t do anything for me:

* “Stars And Satellites” (2012) – Trampled By Turtles.
* “God Told Me To” (2012) – John5.
* “Celebration Rock” (2012) – The Japandroids.
* “Live In Berkely” (2009) – Bob Dylan.

New York Diary: Part II.

New York Diary: Part II.
When In New York.

I feel pretty good today even although I only had about 4 hours sleep.
We all did a power of walking yesterday and today, like tomorrow, will be the same.

New York street traffic is pretty ruthless.
Everyone knows exactly where they’re going and they are in a hurry.
That suits me fine.
Like I said, this is my 3rd time in this City and I know my way around better than I know my way around back home in Glasgow!
Matter of fact, we’d constantly get asked for directions and we got pretty good at pointing people the right way.

Ever stood at the foot of the Rockefeller building and looked up?
You can’t see the top of it for clouds sometimes!

It’s dizzying and for some reason unknown to me, we all thought that it would be a pretty good idea to pay 80 bucks and go up onto the roof and look at the city.
I don’t usually have much of a problem with great heights but tonight I do.
Hayley does too.

We’re up on the roof of the Rockefeller building.
They call it “Top Of The Rock” and frankly, It’s fucking terrifying!
At the top of The Empire State building, there is a big wall and big iron railings on account of all the folk who used to go up there and jump off it.
These days, you feel pretty safe and secure up on top of the Empire State.
I wish I was up there right now because the Rockefeller is a sheer drop only surrounded by one thin looking layer of clear plexi-glass.

It’s real windy up here tonight and Hayley and I feel the building sway.
Its better that a building this tall sways a lot rather than not at all.
But still.

New York twinkles from up there and it feels good to be young and alive etc…

All the same, I’m glad when we finally get back down to the street.
Fuck doing that again anytime soon.

My folks and Hayley planned their trip out.
They had designs on shopping like mad people possessed and that is what they did.
They shopped like Paris Hilton on cocaine!
I can’t stand shopping.
I hate it.
I don’t care about what’s in or out.
I don’t care whether it’s designer or vintage.
If it’s black and I need it then I’ll buy it but even then, I don’t care.
I only buy clothes and shoes when my existing ones fall apart so I left them to it and off I went again.

I hadn’t even thought about what I was gonna do in this city.
I don’t tend to plan anything out because I like not knowing what will happen every day.

I pounded the streets again tonight and ended up outside of Madison Square Garden.
Elton John’s playing tonight and you can’t move for people trying to sell fake tickets at 20 bucks apiece.

Over I go to Hell’s Kitchen which is maybe my favourite part of the city.
It’s laid back. Not as laid back as the village but just enough.
The village doesn’t really have the edge that Hell’s Kitchen has.
I wrote down a list of locations where notorious mobsters were murdered but I’ve forgotten to bring it.
You can meet a lot of interesting characters walking around Hell’s Kitchen if you’re not careful.
In 2002 I quickly learned that if someone comes up to you and starts telling jokes then walk away because he’s gonna demand money when he’s done.

If someone comes out of the blue at you and says “Sir, do you mind if I ask you a question?” then walk away because that question won’t be a question.
It’ll be “Gimmie money!
If you get involved in any sort of conversation with anyone in any street then be prepared to be asked for money.
These days, I find myself in-step with most other New Yorkers;
On my way to somewhere in a hurry with no time for anyone who tries to stop me.
Walk fast enough and you probably won’t even be approached but stop for a second to light a cigarette or tie your shoelace and you can forget it because there will be 3 people standing around you wanting a piece of you.

Tonight was the night I got lucky and found The Tempest.
The Tempest is a bar on 8th Avenue.
It’s right beside this big Post Office:

It’s not hard to find nice bars in New York but it can be really difficult to find the kind of dives that I like.
The Tempest doesn’t look like my kind of place from the outside.

You could easily mistake it for some touristy Irish themed bar which inside, it definitely ain’t.
It’s a dark, Rock & Roll dive.

I ended up getting pretty friendly with quite a few people in The Tempest.
The sound of Dr. John singing “Such A Night” led me to this bar.
In here you can hear The Flaming Lips, Radiohead, Little Richard, Bob Dylan, Black Sabbath & Sinatra records and like I say, it’s pitch black inside.

I ended up going to The Tempest when I couldn’t sleep at night because it stayed open to 4am and when it closed I’d get invited to hang around inside which was great.
After hours, Chris the bartender and Bob the bouncer would tell me where to go to find the best live music in the city.
They’d also point out characters on the street and tell me which ones were okay and which ones I should avoid.
In fact,
Chris and Bob pretty much clued me right in about New York and it made my stay a helluva lot more interesting.

For instance,
I got introduced to a guy who managed a recording studio across the street and one night at 4am about 5 of us all got invited over for a couple of drinks.
I sat down and played a black Baby Grand piano!
I’m not a very good piano player at all but who cares.
When in New York!

Too much wild turkey later and I went back to the hotel in the drizzling rain for my 3 to 4 hours sleep.
That particular part of town was deserted on that night and I decided there and then that I was gonna do this again on my last night with the soundtrack to “Taxi Driver” in my ears.
I knew it was a good idea to put it on my mp3 player!

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