Drew Struzan’s Universal Monsters.

Frankenstein, Dracula, The Mummy, The Wolf Man, The Creature From The Black Lagoon…
What a monstrous legacy Universal Studio’s have on their hands.

To celebrate that legacy and influence, MONDO, Alamo Drafthouse’s collectible art division, have dedicated a new exhibition in Austin, Texas which collects more than 60 original and screen-printed works of art from the likes of Struzan, legendary makeup artist Rick Baker, illustrators and artists Laurent Durieux, Francesco Francavilla and Ken Taylor and many others

About MONDO:
“Mondo is the Alamo Drafthouse’s collectible art boutique, featuring designs from world famous artists based on licenses for popular TV and Movie properties including Star Wars, Star Trek & Universal Monsters. Championed for their limited edition screen printed posters, Mondo focuses on bringing art back to movie posters by working with artists such as Olly Moss, Tyler Stout, Martin Ansin and others. Besides creating stunning works for beloved classics and contemporary films, Mondo produces posters for featured Alamo Drafthouse events and has recently inaugurated a “Director’s Series” that will focus on a celebrated filmmaker’s body of work, beginning with Guillermo del Toro.”

One of the greatest movie poster artists in history, Drew Struzan was approached to submit work for the exhibition.
Look what he turned in!

I don’t live anywhere near Austin, Texas but if you do, here are the details of this sure to be amazing exhibition…

You May Also Be Interested In…
* “Back To The Future” Concept Art
* Modern Vintage Movie Posters PART I
* Modern Vintage Movie Posters PART II

Graham Humphreys: “Zombie Flesh Eaters” Artwork.

Never in a million years would I ever show you one of my illustrations before it was finished.
It’ll never happen.

Apart from spoiling the magic of my work a little, the process would expose me as the pretend artist I actually am! That said, I love to see and learn from the works in progress of other artists and illustrators and today I’d like to show you Graham Humphrey’s new artwork, start to finish, for the 1979 Italian classic, “Zombie Flesh Eaters“.

You’ve all seen “Zombie Flesh Eaters” right?
You all remember the underwater scene where a ZOMBIE FIGHTS A SHARK don’t you?
I found these images through looking about for information on the new Arrow Films DVD print of “Zombie Flesh Eaters” and aside from being a pretend artist in my spare time, I also occasionally steal articles from other sites. Not in attempt to be interesting or because I don’t have my own shit to say you understand, but because I find it very interesting and educational and I think that a lot of other people may feel the same way.

…Which is why I have shamelessly lifted the following images from a WONDERFUL place called Death Waltz Recording Company who, as far I understand it, release rare and out of print horror movie soundtracks on newly pressed vinyl and I really hope that they don’t mind my doing so because images like the following ones are sure to help all of you young wanna-be pretend artists and illustrators.

I wish I’d seen something like these when I was 10 years old instead of 30.

* Death Waltz Recording Company
* Arrow Films

You May Also Be Interested In…
* Graphic Designer Graham Humphreys
* The Artwork Of “A Nightmare On Elm Street”

BBC TV: Dr. Terror’s Vault Of Horror.

I had trouble even remembering his name for a while.
It was so long ago…

I would have been 8 or 9…or maybe even 10. I don’t know but it would have been the 1990’s and almost midnight and I would be awake and glued to the my wee flickery TV with fuzzy reception.
Dr. Terror would appear on the screen to introduce the scary horror film of the evening.

Dr. Terror. That was his name. He was a cartoonishly (That’s a word!) sinister horror host for the BBC. An elegantly scary class act!

Do you remember this guy?

Those were the days.
Back then, there were fields as FAR AS THE EYE COULD SEE…
10 pence. That was a lot of money then y’know!

I remember it all and in those days the BBC would run horror double bills at midnight on Fridays and it really was an education.

The good old Doctor introduced me to the likes of “Child’s Play” (1988), “The People Under The Stairs” (1991), “Sometimes They Come Back” (1991) and obscurities like “The Baby” (1973), “VAMP” (1986) and “House” (1986).

I also grew up watching Hammer Horror flicks and Dr. Terror’s Vault Of Horror re-ran a lot of them.
I have a particularly good memory of being dog tired in my dressing gown, keeping myself awake so I could watch “Scars Of Dracula” (1970) at 2am.

Things haven’t changed much since that’s exactly what I was doing at 2am only two nights ago and I’m 30 years old now!

Anyway, it really was a great time to be young and impressionable and luckily for you and me, a few videos of Dr. Terror exist and here they are:

Introducing A 5 Year Old To Horror Cinema.

I’m trying to wean my 5 year old Nephew Asa off of the computer games he constantly plays.
He plays this simple flash game where you’re a stickman sniper and you have to take out other stickmen with a rifle!
Last night he even had a nightmare where a gunman came into his room and shot him!
I don’t like it one bit…

As his Uncle who loves him, I can’t let this go on and although I was originally gonna save this talk for his 8th Birthday, today I introduced him to the beauty of horror cinema!
Nothing too graphic.
– Just a few slimey sea monsters and creatures to start him off…

It didn’t take as long as I thought it would either which gave me enough time to teach my 1 year old Niece Orla how to do an impression of the Zoltar machine from the movie “Big”…

6 Films To Keep You Awake.

This is not my post folks.
This is a Re-Blog of  “6 Films To Keep You Awake”, a post from 2008 on the great Kindertrauma.
As a huge fan of horror cinema I have to say that all 6 of these sound incredible and I can’t believe I didn’t know about any of them until now.


If you remain unmoved by the recent airings of the diluted MASTERS OF HORROR series entitled FEAR ITSELF, 6 FILMS TO KEEP YOU AWAKE, the Spanish language equivalent, may be just what the mad doctor ordered. All the tales hold something of interest and happily the lion’s share boast themes of a truly Kindertraumatic nature. On a technical level, 6 FILMS consistently impresses by constantly delivering a too rare, rich theatrical vibe to the small screen. A bit of patience may be required with the more subtle and psychological of the stories, but all in all this half dozen set of variant views of the dark side provides the chills.

Doctor Ana Torres does the old bait and switch on pal Gloria when she offers her and her young daughter room and board in exchange for Gloria’s aid at her in-home medical practice. Gloria soon learns that not only is Ana carrying a torch for her, but that she also wants her to assist in providing secret abortions to boot. When Gloria herself becomes pregnant, Ana coaxes her into taking advantage of the house specialty with high anxiety and profound regret the result. The aborted fetus disappears, young daughter Vicky begins carting around a tin box and slimy residue is found on the attic stairs. Directed by NARCISCO IBANEZ SERRADOR (the classic WHO CAN KILL A CHILD?), BLAME throws the viewer off by pointing its finger in every conceivable direction until its final thought provoking, slightly frustrating scene.

An older man looks back on his youth and the part he played in the ostracism and tragic death of his first real love. This is a true blue ghost story in the PETER STRAUB vein, filled with some startling imagery and capped with an ending that grows creepier the more you think about it. Haunting in every sense of the word, SPECTRE director MATEO GIL (NOBODY KNOWS ANYBODY) proves the best way to slip a noose over the audience’s head is very quietly.

Think you’re tired of the old kid has make believe friends that just might be real storyline? What if I told you the kid’s make believe friend was THE TEXAS CHAINSAW MASSACRE‘s Leatherface? This fascinating journey into the mind of a little girl who just may have seen one to many horror movies is a must see for genre fans. The less I give away about this superbly crafted, beautifully shot mind screw the better, but I’ll leave you with this, Leatherface is not the only icon who drops by…

I’m a sucker for X-mas horror, but I was taken aback by just how up my alley this segment turned out to be. I was pretty much sold from the beginning, which not only spoofs a cheesy zombie flick but also introduces us to a group of kids who appear to be the missing members of THE GOONIES. Making things all that much more irresistible is that the action takes place in 1985 and we’re surrounded by references to such things as THE A-TEAM, THE KARATE KID, the miniseries “V”, Princess Leia, and that blinking light game SIMON. The kids discover an escaped female convict trapped inside a hole in the woods and rather than aid her decide to exploit the situation to their advantage. When the crazed Santa costumed woman does finally make her way out of the hole, well, to quote one of the kids, “She’s got an axe and she’s pissed!” Amongst holiday horror flicks this is highly original and lots of fun. You can bet I’ll be watching it again once December comes around.

ALEX DE LA IGLESIA (DAY OF THE BEAST) is an exceptionally talented director and this particular tale showcases his strong suites well. This is a haunted house tale and like all good haunted house tales, the structure in question is really just a substitute for the interiors of the human mind. IGLESIA is able to inject potent doses of humor without diluting the terror as he peels back the wallpaper to reveal something akin to real madness. JAVIER GUTIERREZ and LENOR WATLING both turn in highly memorable performances as a couple whose new home subjects them (and their infant child) to domestic anguish levels not seen since STANLEY KUBRICK‘s THE SHINING, another must see.

One director I cannot get enough of is JAUME BALAGUERO ([REC]) and here he does not disappoint. MACARENA GOMEZ and ADRIA COLLADO are a young couple checking out an apartment listing who get unsnarled in a nightmarish trap of which there seems no escape. GOMEZ, who you may remember from DAGON, has a striking resemblance to horror icon BARBARA STEELE and frankly she’s impossible to take your eyes off of. Her performance along with that of NURIA GONZALEZ as the authentically frightening captor is something to behold. BALAGUERO‘s wonderful visuals are a given, but here he really showcases his deft hand at creating edge of your seat suspense.

If you’ve enjoyed recent Spanish language horror films like [REC], THE ORPHANAGE and PAN’S LABYRINTH this set is for you. I enjoyed all six of these productions and that’s a real rarity. Less gimmicky and more in touch with a real genuine sense of the uncanny than most popular horror, they actually may have the power to keep the viewer up late into the wee hours.

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