Home Taping Is Killing Music And It’s Illegal.

I found this on the back of a recently bought vinyl copy of “Before The Flood” by Bob (The most bootleged artist in history) Dylan & The Band. I don’t think it appears on the backs of any of the other LPs I own…


I seem to remember similar ads in the 1980’s which threatened JAIL TIME if you taped music from the radio! When I go to the cinema these days and they run an anti-piracy advert before the film, it only serves to remind me of the films that I need to illegally download because they’re not commercially available to buy. If they are available, they’re watered down cuts of the film or edited for violence or something silly like that.

Bob Dylan & The Band’s “Before The Flood” is a live recording from 1974 and it really is amazing! A great companion piece to the record would either be the 1974 bootleg soundboard recordings “Paint the Daytime Black” or “Oakland Flood”, but if you want those you’ll have to download them in an illegal fashion. Here’s the artwork so you know what you’re looking for…



…And from Wikipedia, here’s a copy and paste job (A theft if you will) about “Home Taping Is Killing Music”…

Home Taping Is Killing Music” was the slogan of a 1980s anti-copyright infringement campaign by the British Phonographic Industry (BPI), a British music industry trade group. With the rise in cassette recorder popularity, the BPI feared that people being able to record music from the radio onto cassettes would cause a decline in record sales. The logo, consisting of a Jolly Roger formed from the silhouette of a compact cassette, also included the words And It’s Illegal.

The campaign has in recent years had its revival, as the Norwegian branch of IFPI launched a new campaign named Piracy Kills Music. The campaign has exactly the same message, same name and even very similar logos. The campaign won the Norwegian 2008 Gulltaggen award for “Best Internet Strategy” with much controversy.

An early ‘proponent’ of home taping was Malcolm McLaren who was at the time managing the British band Bow Wow Wow. In 1980 the band released their cassette single “C30, C60, C90 Go” on a cassette that featured a blank other side that the buyer could record their own music on. The band’s record label, EMI, dropped the group shortly afterwards because the single allegedly promoted home taping.

Rejected Album Artwork: David Bowie’s “The Man Who Sold The World”.

This is how we all know and recognise David Bowie’s album “The Man Who Sold The World”:

Ah, but things could’ve been very different…

The original 1970 US release of “The Man Who Sold The World” employed a cartoon-like cover drawing by Bowie’s friend Michael J. Weller, featuring a cowboy in front of the Cane Hill mental asylum.

The first UK cover, on which Bowie is seen reclining in a Mr Fish “man’s dress”, was an early indication of his interest in exploiting his androgynous appearance. The dress was designed by British fashion designer Michael Fish, and Bowie also used it in February 1971 on his first promotional tour to the United States, where he wore it during interviews despite the fact that the Americans had no knowledge of the as yet unreleased UK cover.

It has been said that his “bleached blond locks, falling below shoulder level”, were inspired by a Pre-Raphaelite painting by Dante Gabriel Rossetti.

The 1971 German release presented a winged hybrid creature with Bowie’s head and a hand for a body, preparing to flick the Earth away.

The 1972 worldwide reissue by RCA Records used a black-and-white picture of Ziggy Stardust on the sleeve which remained until 1990 when the Rykodisc reissue reinstated the original UK “dress” cover. It also appeared on the 1999 EMI remaster.

“Oh By Jingo!” indeed.

%d bloggers like this: