Gorgeous Portraits Of Movie Characters & Classic Shots.

I’d like to tell you all a little bit about the magnificent paintings of cinematic classics you’re about to see but unfortunately, I know almost nothing.

Here’s what I do know: The artist seems to be called Massimo Carnevale and…that’s it!

The Great Dictator (1940):

Some Like It Hot (1959):

The Fearless Vampire Killers (1967):

Serpico (1973):

JAWS (1975):

Taxi Driver (1976):

Saturday Night Fever (1977):

Alien !1979):

The Blues Brothers (1980):

The Elephant Man (1980):

The Shining (1980):

Back To the Future (1985):

Brazil (1985):

Full Metal Jacket (1987):

Point Break (1991):

The Silence Of The Lambs (1991):

True Romance (1993):

The Crow (1994):

The Green Mile (1999):

Death Proof (2007):

Bronson (2007):

Gran Torino (2008):

Machete (2010):

Django unchained (2012):

There are a HELLUVA lot more of these wonderful paintings and they can be viewed HERE.
The original artist seems to have a blog HERE.

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Blood Test: Behind Al Cook’s “Necropolis”.

Whenever I get an illustration commission I occasionally get asked to provide ‘idea sketches’ to show what the finished piece will look like. This type of request usually results in me turning down a lot of artwork job offers because I almost never ever produce any ‘idea’ sketches and if I do, they never really resemble the eventual illustration and I tear them up just as soon as I’m finished with them. Besides, I think that sample and ‘idea’ sketches could subliminally put someone off of your work.
Is that crazy and paranoid?

If it’s not crazy and paranoid it’s probably arrogant of me but I’d rather turn down an illustration job than waste my time churning out sample sketches just to please someone who doesn’t have the faith in me to just let me get on with things.

That said, sometimes I do produce ‘working’ sketches for my horror comic-strip to help me place where characters and objects will be in the panels and today I’m going to break my own rule and show them to you.

All of these working sketches come from the “Please Give Blood” installment from my comic-strip, Al Cook’s “Necropolis” and as you will see, these were never meant to be seen…

* Working Sketch:

* Eventual Illustration Panel:

* Working Sketch:

* Eventual Illustration Panel:

* Working Sketch:

* Eventual Illustration Panel:

* Working Sketch:

* Eventual Illustraion Panel:

* Working Sketch #1:

* Working Sketch #2:

* Working Sketch #3:

* Working SKetch #4:

* Eventual Illustration Panel:

I decided to upload these scribbles because aside from my own, I like to see work in progress. Be it a building being built or a half finished song, I’m interested and so I hope those sketches were of some interest to you.
You can view “Please Give Blood” in full HERE.

You May Also Be Interested In…
* Al Cook’s “Necropolis”
* Graham Humphreys: “Zombie Flesh Eaters” Artwork
* Sketches For Nobody #6

“The Crucifixion”: Teaser Illustration.

Coming sooner than the second coming of Christ and unlike that event, actually happening, this is the teaser illustration for the next installment of Al Cook’s ”Necropolis”!
Keep up to date HERE, HERE and HERE my wee lambs.

Rejected Album Artwork: David Bowie’s “The Man Who Sold The World”.

This is how we all know and recognise David Bowie’s album “The Man Who Sold The World”:

Ah, but things could’ve been very different…

The original 1970 US release of “The Man Who Sold The World” employed a cartoon-like cover drawing by Bowie’s friend Michael J. Weller, featuring a cowboy in front of the Cane Hill mental asylum.

The first UK cover, on which Bowie is seen reclining in a Mr Fish “man’s dress”, was an early indication of his interest in exploiting his androgynous appearance. The dress was designed by British fashion designer Michael Fish, and Bowie also used it in February 1971 on his first promotional tour to the United States, where he wore it during interviews despite the fact that the Americans had no knowledge of the as yet unreleased UK cover.

It has been said that his “bleached blond locks, falling below shoulder level”, were inspired by a Pre-Raphaelite painting by Dante Gabriel Rossetti.

The 1971 German release presented a winged hybrid creature with Bowie’s head and a hand for a body, preparing to flick the Earth away.

The 1972 worldwide reissue by RCA Records used a black-and-white picture of Ziggy Stardust on the sleeve which remained until 1990 when the Rykodisc reissue reinstated the original UK “dress” cover. It also appeared on the 1999 EMI remaster.

“Oh By Jingo!” indeed.

Al Cook’s “Necropolis”: Please Give Blood.

Hi folks, this is the latest entry in my macabre Glaswegian comic-strip, Al Cook’s “Necropolis”.
It’s called “Please Give Blood” so please do!

As always, the main place to view Al Cook’s “Necropolis” in all of its complete and black biro penned, sinister hand-drawn wonder is HERE.

* Footnote:
I sent this “Please Give Blood” strip off to the Scottish National Blood Transfusion Service asking them to get behind the comic etc… and they said:

“Hi Al,
Many thanks for your enquiry.
I’m afraid this is something we will not be able to support.
Best regards,
Leigh.

Leigh Taylor.
Donor Recruitment and Publicity Officer
Scottish National Blood Transfusion Service
25 Shelley Road
Glasgow
G12 0XB
Tel: 0141 357 7740“.

That aside, please do give blood. It’s very very important and not painful at all.

FACEBOOK LINKS:
* Give Blood For Scotland
* Al Cook’s “Necropolis”

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