Hungarian artist István Orosz has created some new illustrations for “Ship Of Fools“, a medieval book of satire originally published in 1494 in Basel, Switzerland, by Sebastian Brant and as you are about to see, all of the illustrations cleverly ‘conceal’ human skulls…
View the full set on István Orosz’ site HERE.
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Never you mind what I was originally looking for on Google. All you need to know is that I found something much better by accident. Porcelain Horror Figurines made by artist and sculptor, Jessica Harrison! Enjoy…
Here’s a little bit about Jessica Harrison from her own website…
Born in St Bees in 1982, Jessica moved to Scotland to study sculpture at Edinburgh College of Art in 2000, going on to do an MFA before completing a practice-led PhD in sculpture in 2013 funded by the Arts and Humanities Research Council.
Her research considers the relationship between interior and exterior spaces of the body, but looks neither inwards towards a hidden core, nor outwards from the subconscious, instead looking orthogonally across the skin to the movement of the body itself, using the surface of the body as a mode of both looking and thinking.
Moving beyond a bi-directional model, Harrison proposes a multi-directional and pervasive model of skin as a space in which body and world mingle. Working with this moving space between artist/maker and viewer, she draws on the active body in both making and interpreting sculpture to unravel imaginative touch and proprioceptive sensation in sculptural practice. In this way, Harrison re-describes the body in sculpture through the skin, offering an alternative way of thinking about the body beyond a binary tradition of inside and outside.
Jessica’s website is HERE
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I’d like to tell you all a little bit about the magnificent paintings of cinematic classics you’re about to see but unfortunately, I know almost nothing.
Here’s what I do know: The artist seems to be called Massimo Carnevale and…that’s it!
The Great Dictator (1940):
Some Like It Hot (1959):
The Fearless Vampire Killers (1967):
Serpico (1973):
JAWS (1975):
Taxi Driver (1976):
Saturday Night Fever (1977):
Alien !1979):
The Blues Brothers (1980):
The Elephant Man (1980):
The Shining (1980):
Back To the Future (1985):
Brazil (1985):
Full Metal Jacket (1987):
Point Break (1991):
The Silence Of The Lambs (1991):
True Romance (1993):
The Crow (1994):
The Green Mile (1999):
Death Proof (2007):
Bronson (2007):
Gran Torino (2008):
Machete (2010):
Django unchained (2012):
There are a HELLUVA lot more of these wonderful paintings and they can be viewed HERE.
The original artist seems to have a blog HERE.
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Reddit is a wonderful place. I only recently discovered Reddit and even more recently than that I realised that you can search out specific words and phrases on it. I typed the word ‘macabre’ into Reddit’s search box and discovered the bizarre and frightening childrens’ book artwork of post WWII Tokyo based artist, Gōjin Ishihara!
From The Illustrated Book Of Japanese Monsters (1972):
The next two illustrations are from The Illustrated Book Of Hell (1975):
From The Complete Book Of Demons (1974):
Gorgon. The Illustrated Book Of World Monsters (1973):
Aliens In Ancient Japan. From the book, Mysteries Of The World (1970):
From Sonosheet Book (1972):
Prehistoric Man (1970):
Spy Wars…
The World’s biggest glutton from The World’s Greatest Wonders (1971):
Precognition of plane crash. Mysteries Of The Body (1973):
Nostradamus. Psychics Of The World (1974):
Frozen planet. Year X: End Of The World (1975):
Dark star gravity. Year X: End Of The World (1975):
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One of these days, whenever I manage to sit down and completely gather all of my thoughts, I’ll tell you all about my friend Mark Liengie. He was a talented feller and when we were kids we used to draw together. We had this weekly competition going on where we’d try to out-gross the other by drawing the most fucked up images our young minds could conjure up and comparing them at weekends. Unfortunately I don’t know what happened to any of these pictures.
My friend Mark was a genius. A real one.
Before he died he was just about to make his…mark on the special effects industry. I believe he had a hand in creating the dead baby scene in “Trainspotting” as well as making a full dead body for an episode of “Taggart“.
On one of the last occasions I saw Mark he was outside his parents’ house with two fake human torsos on poles that each had wires and cables and string running from them. “Watch this!” he said, and with the push of a button on a handmade controller, the torsos EXPLODED with an amazing bang and instantly, a large part of the garden was drenched in the buckets of fake blood he’d filled the dummys with! Amazing.
Growing up, we’d quite easily watch the likes of “Creepshow”, “Dawn of The Dead” and “An American Werewolf In London” over and over again. We’d pause the tape on special effects shots and quickly draw exactly what we saw so that we could discuss how the effect was achieved later. It was a real learning process for me and really improved my drawing skills but Mark took things a lot further than I ever could. He’d regularly turn up on my parents’ doorstep with animal hearts and parts he’d got from the butcher and we’d cut them open. We’d both draw them but Mark would then go away and build an exact model replica out of all kinds of materials!
It’s amazing to think that he was only 9 or ten years old then but like I said, I’ll tell you all about him and his work another day.
Yesterday, I found a documentary film on Youtube hosted by our childhood hero, Tom Savini. As kids, Mark and I would have killed our nearest and dearest to have seen something like this…
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